Unique finds, unique curations, unique people.
Independents
6th Jun '25
| By The Wolf & Badger Team
Kayleigh Slowey speaks on ocean conservation, the effects of plastics on marine ecosystems, and the power of social media in spreading awareness.
We had the pleasure of speaking with Kayleigh Slowey (@oceanic.kayleigh) about her journey in marine conservation, from the plastics she encounters on her dives to her experience as a digital content creator.
1
Can you tell us a bit about your journey into marine conservation and eco-conscious diving? What inspired you to create a platform for ocean protection?
My journey into marine conservation began during university, where I studied marine and natural history photography. From a young age, I knew I wanted to use art to tell stories about the natural world. It wasn’t until I pursued a master’s degree in marine biology that I truly began to understand how powerful the intersection of art and science could be. I graduated during the pandemic and it was incredibly challenging opportunities were scarce, especially in such a competitive sector. But I was determined to remain connected to the ocean. I turned to social media, started sharing my work and my passion, and the response was amazing. That digital space became a platform for ocean advocacy, and everything grew from there.


2
Much of your content focuses on the plastic pollution you encounter on your dives. How does plastic affect marine environments? What are the most common plastics you run into?
Plastic is devastating to marine life. I've been diving for over nine years, both in the UK and abroad, and I’ve seen the damage firsthand. The most common pollutant I come across is discarded fishing gear – whether intentionally dumped or accidentally lost, it sinks to the ocean floor and entangles everything in its path, from coral reefs to marine animals. It’s heartbreaking. You’d think diving to a shipwreck 20 metres below the surface would offer a break from human impact but even there, plastic finds a way. No part of the ocean is untouched.
3
What are some common knowledge gaps about plastic pollution in oceans you’d love to fill, or misconceptions you’d love to debunk?
People often assume that the biggest source of plastic pollution is from beachgoers or littering, when in fact, a significant portion comes from industrial fishing and global supply chains.
Many don’t realize that microplastics from clothing, especially synthetic fabrics, enter our waterways every time we do laundry. These fibers are almost impossible to remove once they’re in the ocean.


4
What do you think is the role of Wolf and Badger—and the independent, ethical designers they support—in shaping a more conscious and sustainable future?
Wolf and Badger represents the kind of conscious consumerism I genuinely support. Their platform champions independent designers who prioritize ethical practices and sustainability. We align on so many values, especially when it comes to challenging fast fashion. The environmental cost of poorly made clothing, both in terms of microplastics and landfill waste is enormous. Shopping through Wolf and Badger means I can feel good about my purchases, knowing they’re thoughtfully made and built to last. They’ve cultivated a space where sustainability and style can truly coexist.
5
Through Oceanic Kayleigh, you’ve built an amazing platform centred around conserving the ocean. What have been the most rewarding and most challenging parts of that journey?
The most challenging part has been the emotional weight, feeling overwhelmed and questioning whether one person can truly make a difference. It can feel like shouting into the void at times, but I’ve learned that even small actions ripple outward. Communication is powerful. Spreading awareness, encouraging small shifts in behaviour—it all matters.
The most rewarding part? Hearing from people who’ve been inspired to experience the ocean for themselves, whether that’s through diving or simply becoming more conscious about their choices. You can’t expect someone to care about something they’ve never seen or understood. If I can offer that window into the underwater world, even digitally, then I’m doing my job.

6
What’s next for you? Any upcoming projects or collaborations you’re excited about?
I’m thrilled to be attending the United Nations Ocean Conference (UNOC) in 2025 in Nice, France. It’ll be my first time there, and I’m excited to connect, collaborate, and learn from other ocean advocates and changemakers. I’ve also got a few international trips lined up, but I’ll be spending more time at home, appreciating the incredible beauty of Cornwall’s coastal waters. There’s nothing like it—and I’m looking forward to continuing my work from this little slice of ocean paradise.